Category Archives: FILM

ONE NIGHT IN MIAMI Q & A

Vulnerability is what makes them strong. They’re not cyborgs—they have fears and they actually do have emotions. I think most of the Black men in our lives are like that and we don’t get to see that represented that often, so that was really one of the things that attracted me to it. — Regina King

ONE NIGHT IN MIAMI—written by Kemp Powers and directed by King—is an imagining of the real life meeting of Malcolm X (Kingsley Ben-Adir), Sam Cooke (Leslie Odom, Jr.), Jim Brown (Aldis Hodge), and young boxer Cassius Clay (Eli Goree), on the verge of becoming Muhammad Ali.

Join Powers and all four of the film’s leads for an online conversation, moderated by Jacqueline Coley. See links below for Q & A and streaming details.

ONE NIGHT IN MIAMI Q & A

American Cinematheque

Monday, January 25.

6 pm on the West Coast; 9 pm East Coast.

ONE NIGHT IN MIAMI

Directed by Regina King.

Amazon Studios

Streaming now on Amazon Prime.

Regina King, One Night in Miami (2020), from top: Kingsley Ben-Adir (left, behind bar), Eli Goree (in bowtie) with Aldis Hodge (hand on Goree’s shoulder) and Leslie Odom, Jr. (right, glass in air); Odom, Hodge, Ben-Adir, and Goree; Odom; One Night in Miami one-sheet; Goree (center); Ben-Adir; Hodge; Goree, Ben-Adir, Hodge, and Odom. Images courtesy and © Amazon Studios.

ANNIE SPRINKLE AND BETH STEPHENS — WATER MAKES US WET

Some voices in the film use the lens of ecosexuality, whereas others use the lens of science. But all of them are trying to find ways to keep water clean and accessible. Because of this, almost all of the people in the film are concerned with justice. — Beth Stephens

Join filmmakers and partners Annie Sprinkle and Beth Stephens in conversation following a fundraising online screening of WATER MAKES US WET—AN ECOSEXUAL ADVENTURE, which will benefit future programming at Highways.

The event includes pre-show music by Jimi Cabeza de Vaca and Nora Keyes, an introduction by John Fleck, Highways director-curator Leo Garcia, and Film Maudit curator Patrick Kennelly, a conversation with Fleck about the documentary John Fleck is Who You Want Him to Be, and a proclamation by Kristina Wong. Performing participants following the film include Balitrónica and a presentation of Manifesto by Guillermo Gómez-Peña.

See link below for details.

LET’S GET WET—A HIGHWAYS FUNDRAISING EVENT

Available from Saturday, January 23.

6 pm on the West Coast; 9 pm East Coast.

From top: Beth Stephens (left) and Annie Sprinkle, courtesy and © the artists; Water Makes Us Wet (2019) poster courtesy and © Juno Films; John Fleck, photograph by Steve Gunther, courtesy and © the photographer and CalArts; Sprinkle and Stephens, courtesy and © the artists.

SAM POLLARD — TWO TRAINS RUNNIN’

Not much has changed. That’s what was so bad what we saw about January 6 at the Capitol. On one level, I’m horrified and disgusted, but on the other level, I’m thinking, Damn, our country is still the same. You look at the run-up to the election and listen to the speeches about if you elect Democrats they will come destroy the suburbs and your community. This is insanity. Have we not learned any lessons in America?Sam Pollard

On the occasion of the release of Pollard’s new film MLK/FBI, Film at Lincoln Center is presenting a retrospective of the filmmaker’s work—including TWO TRAINS RUNNIN’, where Freedom Summer meets the search for bluesmen Son House and Skip James.

The film is narrated by Common and features performances by—among others—Gary Clark Jr., Buddy Guy, Valerie June, Lucinda Williams, and the North Mississippi Allstars.

See link below for streaming information.

TWO TRAINS RUNNIN’

Directed by Sam Pollard.

Film at Lincoln Center

Now streaming.

Sam Pollard, Two Trains Runnin’ (2016), from top: Skip James (left) and Son House; scene from film; Two Trains Runnin’ poster; scene from film; Gary Clark, Jr.; scene from film. Images courtesy and © the filmmaker and Avalon Films.

FILM MAUDIT 2.0 — REZA ABDOH

When we speak the word “life,” it must be understood we are not referring to life as we know it from its surface of fact, but to that fragile, fluctuating center which forms never reach. And if there is still one hellish, truly accursed thing in our time, it is our artistic dallying with forms, instead of being like victims burnt at the stake, signaling through the flames. Antonin Artaud*

Film Maudit is here. Inspired by Jean Cocteau and presented by Highways, the second iteration of the festival of “outré” films brings together dozens of features and shorts for free streaming.

One of this year’s highlights is Adam Soch’s immersive documentary REZA ABDOH—THEATRE VISIONARY, a view from inside the transgressive work of the late, great theater provocateur, creator of such spectacles as The Hip-Hop Waltz of Eurydice, Bogeyman, The Law of Remains, Father Was a Peculiar Man, Minamata, Tight Right White, and Quotations From a Ruined City.

Featuring extensive documentary footage of Abdoh’s rehearsals and produced work at the Los Angeles Theater Center, the Long Beach Opera, New York’s Diplomat Hotel, and the streets of the Meatpacking District, the film includes interviews with the actors, artists, friends, and advocates in his circle: Alan Mandell, Tony Torn, Ken Roht, Tom Pearl, Tom Fitzpatrick, Jacqueline Gregg, Juliana Francis-Kelly, Peter Jacobs, Edwin Gerard, Diane White, Elsbeth M. Collins, Morgan Jenness, Bill Bushnell, Anne Hamburger, Peter Sellars, Norman Frisch, Daniel Mufson, Sylvie Drake, Sandy Cleary, David Schweizer, Tal Yarden, Sabrina Artel, Anita Durst, Alix HesterJohn Jahnke, Laurel Meade, Alyson Campbell, his mother Homa Oboodi, and his brothers Sardar and Salar Abdoh.

See link below for screening details.

REZA ABDOH—THEATRE VISIONARY

Directed by Adam Soch.

Film Maudit 2.0

Now streaming.

*Antonin Artaud, The Theater and Its Double, translated by Mary Caroline Richards (New York: Grove Press, 1958).

Reza Abdoh, from top: The Law of Remains (1992), photographs (2) from the Hotel Diplomat, New York, production, photographs © Paula Court; Bogeyman (1990), photograph © Jan Deen; Tight Right White (1993), photographs (3) from the 440 Lafayette Street, New York, production, photographs © Paula Court; The Hip-Hop Waltz of Eurydice (1990), upper photograph © R. Kaufman, lower two from the Sigma Festival, Bordeaux, production in 1992, photographs © Patrick Veyssière; Quotations From a Ruined City (1994), written by Salar Abdoh and Reza Abdoh, middle photograph © Paula Court, upper and lower photographs from the 448 West 16th Street, New York production, photographs © Jan Deen.

Below: Salar Abdoh (left), Reza Abdoh, and Sardar Abdoh; Reza Abdoh, photograph © Richard Liebfried.

EMERALD FENNELL AND CAREY MULLIGAN IN CONVERSATION

It could only be her. Carey is… just famously good and she chooses so carefully and she’s really always kept to her own journey in terms of what she picks. She’s very private, which makes quite an enigmatic actress. I really wanted somebody who wasn’t going to come and make her a kick-ass superhero comic book character. I wanted her to be the stillness at the center of it all. She was my dream person. — Emerald Fennell

Film Independent Presents will host a members’ screening of Fennell ’s remarkable debut feature PROMISING YOUNG WOMAN, as well as a Q & A with the writer-director joining the film’s star Carey Mulligan.

And the American Cinematheque has added an online Q & A as well, which Bo Burnham will join. A free PROMISING YOUNG WOMAN screener link is available now with this event, while supplies last.

For information on all the events, VOD streaming, and Film Independent membership, see the links below.

PROMISING YOUNG WOMAN

Focus Features

Written and directed by Emerald Fennell.

Film Independent Presents

Wednesday and Thursday, January 13 and 14.

Streams for 48 hours.

PROMISING YOUNG WOMAN is streaming on demand from January 15.

EMERALD FENNELL and CAREY MULLIGAN Q & A

Film Independent Presents

Friday, January 15.

Noon on the West Coast; 3 pm East Coast; 8 pm London; 9 pm Paris.

EMERALD FENNELL, CAREY MULLIGAN and BO BURNHAM Q & A

American Cinematheque

Saturday, January 23.

1 pm on the West Coast; 4 pm East Coast; 9 pm London; 10 pm Paris.

Emerald Fennell, Promising Young Woman (2020), from top: Carey Mulligan; Bo Burnham and Mulligan; Alison Brie and Mulligan; Laverne Cox; Mulligan (2); Sam Richardson and Mulligan; Molly Shannon and Mulligan; Adam Brody; Mulligan. Images courtesy and © Focus Features.