Tag Archives: Hammer Museum

DANIEL DAY-LEWIS’ SWANSONG

We hope he changes his mind, but Daniel Day-Lewis has—for now—retired from acting.

The Hammer Museum completes its 2017 Contenders screening series with the highly anticipated PHANTOM THREAD, written and directed by Paul Thomas Anderson, and starring Day-Lewis —in his final role—as Reynolds Woodcock, a 1950s British couturier based on bits and pieces of BalenciagaNorman Hartnell, and Alexander McQueen (the messages sewn into the linings), but especially Charles James:

“The dresses created by Day-Lewis’s character and those James was known for possess statuesque, sculpture-like qualities wherein the manipulation of fabric is paramount… Like Woodcock, James, who viewed his work more as sculpture than articles of clothing, only parted with his confections when they were perfect, and he was perfectly satisfied—a reason why his clients frequently commissioned items years in advance.” — Alexander Fury*

Vicky Krieps co-stars as Woodcock’s muse Alma, and Leslie Manville as his sister and business partner Cyril. Anderson regular Jonny Greenwood composed the score.

Following the screening, the film’s costume designer Mark Bridges will participate in a Q & A moderated by journalist and filmmaker Matt Tyrnauer.

 

PHANTOM THREAD, Tuesday, December 19, at 7:30 pm.

BILLY WILDER THEATER, Hammer Museum, 10899 Wilshire Boulevard, Westwood, Los Angeles.

hammer.ucla.edu/programs/phantom-thread/

nytimes.com/t-magazine/phantom-thread-movie-paul-thomas-anderson

Daniel Day-Lewis as couturier Reynolds Woodcock in Phantom Thread (2017).

'Phantom Thread' trailer

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LYDIA GARCÍA MILLÁN’S COLOR

As part of Ismo, Ismo, Ismo: Cine experimental en América Latina, the Hammer hosts a rare screening of Lydia García Millán’s COLOR (1955), one of the first abstract experimental films out of Latin America.

Shot when García was still a teen—and preceding similar work by Stan BrakhageCOLOR is part of an evening of work by women filmmakers, including Vivian Ostrovsky’s “beach symphony” COPACABANA BEACH (1983).

The soundtrack of García’s film features a performance recorded at Montevideo’s Hot Jazz Club, and Ostrovsky’s includes songs by Carmen Miranda.

 

TALLERES—EXPERIMENTAL WOMEN FILMMAKERS FROM LATIN AMERICA, Thursday, November 30, at 7:30 pm.

HAMMER MUSEUM, 10899 Wilshire Boulevard, Westwood, Los Angeles.

ismismism.org/calendar/2017/11/30/talleres-experimental-women-filmmakers

hammer.ucla.edu/programs-events/2017/11/talleres-experimental-women-filmmakers-from-latin-america

vivianostrovsky.com

RADICAL WOMEN—LATIN AMERICAN ART 1960–1985, through December 31.

HAMMER MUSEUM, 10899 Wilshire Boulevard, Westwood, Los Angeles.

hammer.ucla.edu/exhibitions/2017/radical-women-latin-american-art-1960-1985

Lydia García Millán, Colors (1955).

Color

ASTRID HADAD AT THE HAMMER

Performance artist Astrid Hadad takes a hard look at Mexican hypocrisy, machismo, and corruption at the Hammer this week in ASTRID HADAD—(DE)CONSTRUCTING MEXICANIDAD.

This PST: LA/LA performance-lecture is in conjunction with the ongoing exhibition RADICAL WOMEN.

 

ASTRID HADAD—(DE)CONSTRUCTING MEXICANIDAD, Wednesday, November 29, at 7:30 pm.

hammer.ucla.edu/programs-events/2017/11/astrid-hadad

RADICAL WOMEN—LATIN AMERICAN ART 1960–1985, through December 31.

HAMMER MUSEUM, 10899 Wilshire Boulevard, Westwood, Los Angeles.

hammer.ucla.edu/exhibitions/2017/radical-women-latin-american-art-1960-1985

Astrid Hadad. Image credit: Hammer Museum.

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SARAH MINTER’S NADIE ES INOCENTE

Two of Sarah Minter’s experimental Mexican dramas will screen at the Hammer this week as part of the museum’s RADICAL WOMEN show. NADIE ES INOCENTE (1986)—a punk rock saga—will share the bill with SAN FRENESI (1983).

This program is free.

NADIE ES INOCENTE and SAN FRENESI, Tuesday, October 17, at 7:30 pm.

HAMMER MUSEUM, 10899 Wilshire Boulevard, Westwood, Los Angeles.

hammer.ucla.edu/programs-events/2017/10/nadie-es-inocente-and-san-frenesi-two-films-by-sarah-minter/

Sarah Minter, Nadie es inocente.

csm_Sarah-Minter-Nadie-Es-Innocente_5a254f101c

YMA SUMAC — HAMMER TRIBUTE

Peruvian singer-cult figure Yma Sumac was the only direct descendant of Incan emperor Atahualpa to play Carnegie Hall, perform in Broadway musicals, and score a Number One debut album—Voice of the Xtabay (1950)—on the Billboard charts.

This weekend, Empress of (Lorely Rodriguez), Nite Jewel, Maria Elena Altany, Ceci Bastida, Dorian Wood, Carmina Escobar, and Francisca Valenzuela—backed by a band led by Alberto López of Jungle Fire—gather at the Hammer Museum to pay tribute to the legendary singer from Peru with the four-octave-and-then-some range.

VOICES OF THE XTABAY—A TRIBUTE TO YMA SUMAC, Saturday, October 7, at 7:30 pm.

RADICAL WOMEN—LATIN AMERICAN ART, 1960–1985, through December 31.

HAMMER MUSEUM, 10899 Wilshire Boulevard, Westwood, Los Angeles.

hammer.ucla.edu/programs-events/2017/10/voices-of-the-xtabay-a-tribute-to-yma-sumac/

yma-sumac.com

pacificstandardtime.org

Yma Sumac. Image credit: Yma-sumac.com

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