Tag Archives: Ron Athey

RAFA ESPARZA AND RON ATHEY

Join Rafa Esparza and Ron Athey as the two legendary performance artists talk about their work and whatever else comes up on the opening day of Frieze Los Angeles.

RAFA ESPARZA AND RON ATHEY IN CONVERSATION

Friday, February 15, at 3:30 pm.

Paramount Pictures Studios

Sherry Lansing Theatre

5515 Melrose Avenue, Los Angeles.

(Enter on Gower or Van Ness.)

From top: Ron Athey in Acephalous Monster, 2018, photograph by Rachel Papo, courtesy Performance Space, New York; participants in Rafa Esparza’s De la Calle parade in downtown Los Angeles, 2018, photograph by Carolina A. Miranda; Esparza, Mas caras y mas gestos performance, July 8, 2016, Made in L.A. 2016, Hammer Museum, photograph by Barbara Katz, courtesy Esparza and the Hammer; Esparza (left) and Athey at Frieze Los Angeles, February 15, 2019, courtesy the artists and Frieze.

KAYLA TANGE PERFORMANCE

Human Resources presents a multimedia installation and performance by Kayla Tange.

Curated by Vardui Sharapkhanyan, DEFINING BOUNDARIES explores the construction of boundaries that protect sacred interiority. Tange’s performance utilizes ritual, sound, ephemeral architecture and collected confessions (including her own) in an attempt to establish psychic, emotional and physical boundaries, guarding against abuse and trauma.

Tange has had solo performances at Coagula Curatorial, Highways Performance Space, Miami Art Basel, and the Asian Burlesque Extravaganza, and performed alongside Sheree Rose, Ron Athey, and Taylor Mac.

 

KAYLA TANGE—DEFINING BOUNDARIES

Performance and opening

Thursday, December 20, at 8 pm.

Installation, December 20 and 21.

Human Resources

410 Cottage Home Street, Chinatown, Los Angeles.

Above: Kayla Tange, courtesy the artist.

Below: Tange. Photograph by Luka Fisher.

MISSA BLUE’S BLACK MADONNA

For the performance art piece DOLORES—OUR LADY OF THE SORROWS, Ron Athey and Nacho Nava will present the Los Angeles debut of Missa Blue’s BLACK MADONNA.

Blue will be joined by musicians San Cha and Little Annie, movement performer Austyn Rich, and DJ Arshia Fatima Haq.

 

DOLORES—OUR LADY OF THE SORROWS, Sunday, June 24, from 7 pm to 11 pm.

THE VORTEX, 2341 East Olympic Boulevard, downtown Los Angeles.

restlessnites.com/dolores

Missa Blue.

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VAGINAL DAVIS PLAYS L.A.

In theory, the Saturday night Nico tribute WARHOL ICON took place all over the Broad Museum and its courtyard, and circulation was encouraged. But when the museum doors opened at 8:30, performance artists Sheree Rose and Ron Athey, filmmaker Eliane Lima, and 200-plus revelers made a beeline for Oculus Hall and stayed put for the next two hours, worshiping at the altar of Vaginal Davis. (Three hours, if you count the stirring after-set by Kembra Pfahler, a bewigged pile-up out of Faster Pussycat, Kill, Kill.)

PhilippeGarrel’s La Cicatrice intérieure/The Inner Scar is a film about circles: fire circles, camera circles, drug circles, circles of anguish, circular time. Starring Garrel’s then-partner Nico (shrouded) and PierreClémenti (nude throughout), the film served as a mesmerizing entr’acte to Parts 1 and 2 of the headliner’s brilliant performance. Some highlights from Davis’ monologue:

“Beware the cautionary tale of taking positions of power you initially fought against.”

“ ‘Pull yourself up by your bootstraps’ is Danger Capitalism for ‘Let them eat cake.’ ”

“In Berlin there are backrooms in the organic supermarkets.”

“Good boys are naked boys.”

“You shouldn’t speculate about the future if you can’t speculate about the past.”

“Freud and Lacan had it all wrong. Dildo Theory is different from the Theory of the Phallus. The penis is, and always was, just one of many substitutes for the dildo. And not, I might add, a particularly reliable or attractive one.”

Upcoming Summer Happenings at the Broad include Strange Forest (July 19), Oracle (August 26), and Basquiat (September 23).

thebroad.org/programs

Also see: blog.vaginaldavis.com/

Vaginal Davis at Warhol Icon, Oculus Hall, The Broad, June 24, 2017.

Photographs by Priscilla Mars, courtesy of The Broad.

Davis 1

Davis 2