Tag Archives: Sergei Eisenstein

EISENSTEIN IN ECHO PARK

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A 16mm print of TIME IN THE SUN (1939)—an hour-long version of Sergei Eisenstein and Grigoriy Aleksandrov’s unfinished ¡Qué viva México! (1932), assembled by Eisenstein biographer Marie Seton, supposedly following Eisenstein’s rough outline—will screen this weekend at the Echo Park Film Center.

“Eisenstein had come to America in 1930 hoping to make a film in Hollywood. When those plans fell through, he undertook, with financing from novelist Upton Sinclair, a mammoth, extravagant cinematic portrait of Mexico’s rich history, peoples, and traditions. Based on the eternal cycles of birth and death, and inspired by the epic murals of Diego Riviera and other Mexican artists, ¡Qué viva México! was to be structured in six parts, moving in history from pre-Columbian times to contemporary Day of the Dead celebrations. Eisenstein reportedly shot some fifty hours of footage; with expenses and misunderstandings mounting, Sinclair shut down the production. Eisenstein returned to the USSR and never again had access to the footage; Sinclair, the legal owner, parcelled it out to various film projects, including Seton’s, over the years.”*

 

TIME IN THE SUN, Saturday, April 7, at 8 pm.

ECHO PARK FILM CENTER, 1200 North Alvarado, Los Angeles.

echoparkfilmcenter.org/time-in-the-sun

Images from ¡Qué viva México!

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ROBERT LONGO IN BROOKLYN

The Brooklyn Museum exhibition PROOF—FRANCISCO GOYA, SERGEI EISENSTEIN, ROBERT LONGO brings together drawings, etchings, and film—mostly black and white—by three artists who “witnessed a turbulent transition from one era to another and the profound repercussions of revolution, war, and civil unrest. Within a broad chronological framework, PROOF traces the historical lineage of a visual language and artistic impulse.”*

PROOF was initiated by Garage Museum of Contemporary Art, Moscow, and curated by their chief curator Kate Fowle, in collaboration with Robert Longo. The Brooklyn Museum presentation is organized by Sara Softness, their assistant curator of special projects.

 

PROOF—FRANCISCO GOYA, SERGEI EISENSTEIN, ROBERT LONGO, through January 7.

BROOKLYN MUSEUM, 200 Eastern Parkway, Brooklyn.

brooklynmuseum.org/goya_eisenstein_longo

Robert Longo, Untitled (Black Pussy Hat in Women’s March), 2017 (detail), charcoal on mounted paper 152.4 x 270.8 cm.
© Robert Longo, courtesy the artist, Metro Pictures, and Galerie Thaddaeus Ropac.

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EISENSTEIN’S IMAGE REVOLUTION

For the first time in its history, the “seventh art”—filmmaking—comes to Florence’s Uffizi, in the exhibition EISENSTEIN—THE IMAGE REVOLUTION.

In addition to exploring his movies, which were “to the world of images what the uprising of 1917 was to the social, political and economic organisation of the Russian Empire,” the show takes a look at the drawings of this master draughtsman.*

 

EISENSTEIN—THE IMAGE REVOLUTION, through January 7.

UFFIZI, Piazzale degli Uffizi, 6, Florence.

uffizi.it/en/events/ejzenstejn-la-rivoluzione-delle-immagini

See Peter Bradshaw, “Hallucinating History—When Stalin and Eisenstein Re-Invented a Revolution”:

theguardian.com/film/october-revolution-stalin-sergei-eisenstein

Sergei Eisenstein, drawings, and still from October (1928).

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