Category Archives: BOOKS/PERIODICALS

ROBERT JONES JR. AND BRIT BENNETT

I had read tons of literary works and yet could find none where Black queer love was front and center, or present in the cultural or historical landscape prior to the Harlem Renaissance of the 20th century. Where I did find references, it was only in the context of sexual assault or some other form of depravity. And my question was: What about love?Robert Jones, Jr.

Join Robert Jones, Jr., and Brit Bennett in conversation as they discuss Jones’ debut novel The Prophets.

This Crowdcast event is hosted by Charis Books & More, outside Atlanta. See link below to register.

ROBERT JONES, JR., IN CONVERSATION WITH BRIT BENNETT

A Charis Virtual Event

Tuesday, January 12.

4:30 pm on the West Coast; 7:30 pm East Coast.

From top: Robert Jones Jr., photograph by Alberto Vargas, courtesy and © the author, the photographer, and G. P. Putnam’s Sons; Brit Bennett, photograph by Emma Trim, courtesy and © the author and the photographer; Jones, The Prophets, cover image courtesy and © G. P. Putnam’s Sons; Bennett, The Vanishing Half, cover image courtesy and © Riverhead Books.

RONI HORN’S ICELAND WRITINGS

You consume with your eyes. And eyes are voracious. The stomach has a size. It will only fit so much. But the eyes?…You think eventually you will get enough. But satisfaction and familiarity don’t come. You just keep wanting and waiting. Wanting and waiting, needing more. A meal that does not end. — Roni Horn

ISLAND ZOMBIE: ICELAND WRITINGS—a new collection of texts, essays, and poems by Horn, illustrated with more than fifty images—is out now from Princeton University Press.

Roni Horn, from top: Man at hot spring, Strúter, Iceland, 1990, from To Place: Pooling Waters IV, published by Walther König, Cologne, 1994, image © Roni Horn, collection of the artist; Roni Horn, Island Zombie: Iceland Writings (2020), cover image courtesy and © the artist and Princeton University Press; Rationalists Would Wear Sombreros, 1990, Ink and graphite on special-edition print, from To Place: Bluff Life, published by Peter Blum Edition, New York,1990, image © Roni Horn, collection of the artist.

LAZARUS STREAM

LAZARUS was one of the last things dad created before he died. I know he was incredibly excited about it: working with new people in a new medium. His favorite place to be. As tired as he was, he was clearly loving it! The original London production will be streaming in January. — Duncan Jones

David Bowie and Enda Walsh’s LAZARUS—directed by Ivo van Hove—will stream this month for three days only, marking Bowie’s birthday and the fifth anniversary of his death. See link below to find your location, date, and time.

LAZARUS

Music and lyrics by David Bowie, book by Enda Walsh.

Based on the novel The Man Who Fell To Earth by Walter Tevis.

DICE

Friday, Saturday, and Sunday, January 8, 9, and 10.

David Bowie and Enda Walsh, Lazarus (2015), from top: Michael C. Hall; Lazarus poster; Hall and Sophia Anne Caruso; Hall. Images courtesy and © Robert Fox Ltd. and Jones/Tintoretto Entertainment.

TRAMPS LIKE US

Participant Inc presents JOE IS JOE, a reading performance from Joe Westmoreland’s 2001 novel Tramps Like Us.

Hosted by Eileen Myles and Tom Cole, special guests include Brontez Purnell, Erin Kimmel, Samuel Delany, Karla Cornejo Villavicencio, Tony Stinkmetal, Lori E. Seid, Ryan McGinley, Johanna Fateman, and Roberta Colindrez, with music by Anohni.

See link below for details.

JOE IS JOE LIVESTREAM

Sunday, December 27.

3 pm on the West Coast; 6 pm East Coast.

From top: Qalbee Cohee (left) and Joe Westmoreland in San Francisco, 1979; Roberta Colindrez in Jill Soloway and Sarah Gubbins series I Love Dick (2016), photograph by Jessica Brooks, courtesy and © Amazon Prime Video; Brontez Purnell, courtesy and © the author; image from Joe Westmoreland, Tramps Like Us, courtesy and © Painted Leaf Press, New York.


GO TELL IT ON THE MOUNTAIN

I looked down the line,
And I wondered.

Everyone had always said that john would be a preacher when he grew up, just like his father. It had been said so often that John, without ever thinking about it, had come to believe it himself. Not until the morning of his fourteenth birthday did he really begin to think about it, and by then it was already too late. — James Baldwin*

Join Ayana Mathis for an online discussion of Baldwin’s first novel, Go Tell It On the Mountain. See link below to register.

GO TELL IT ON THE MOUNTAIN—A DISCUSSION

T Magazine Book Club

Thursday, December 17.

4 pm on the West Coast; 7 pm East Coast.

*James Baldwin, Go Tell It On the Mountain (New York: Alfred A. Knopf, 1953); © 1953, 1985 by James Baldwin and the James Baldwin Estate.

From top: Toni Morrison and James Baldwin in 1986 at the Founders Day celebration, Schomburg Center for Research in Black Culture, New York City, photograph by Hakim Mutlaq, courtesy and © the photographer; Harry Belafonte (left), Baldwin, and Marlon Brando at the 1963 March on Washington, © the Associated Press; Baldwin, Go Tell It On the Mountain (1953) reprint cover image (detail) courtesy and © Vintage International; Steve Schapiro, James Baldwin, Harlem, New York, 1963, gelatin silver print, courtesy and © the photographer; Thomas Allen Harris, Untitled (Amiri Baraka, Maya Angelou & Toni Morrison at James Baldwin’s Funeral at Cathedral of St. John the Divine), 1987, (Baraka’s face is partly hidden by torch on left).