Tag Archives: Fred Moten

JUDSON DANCE THEATER SYMPOSIUM

In one of the last programs in the Judson exhibition, the symposium JUDSON DANCE THEATER—A COLLECTIVE SPECULATION brings together artists, scholars, and critics for presentations, discussions, and sound improvisations.

Organized by MOMA, participants include Malik GainesAndré LepeckiFred Moten; K.J. Holmes and Ramsey AmeenMarina Rosenfeld with Eli Keszler and Greg FoxClare CroftBarbara ClausenGus Solomons Jr.; and Philip Corner with Daniel Goode, David Demnitz, Leyna Marika PapachPhoebe Neville, and Iris Brooks.

JUDSON DANCE THEATER—A COLLECTIVE SPECULATION

Sunday, January 27, from 2 pm to 6 pm.

MOMA P.S.1

22–25 Jackson Avenue, Long Island City, Queens.

From top: Harold Edgerton, Gus Solomons, Dancer, 1960; Philip Corner and Phoebe Neville, photograph by Dawid LaskowskiSteve Paxton and Trisha Brown at Bennington College, 1980, photograph by Tylere Resch.

SUNÉ WOODS, FRED MOTEN, AND JAMES GORDON WILLIAMS

Fred Moten will join artist Suné Woods and pianist-composer James Gordon Williams at the Hammer this week for an evening of “wordplay, found imagery, improvised music, and moving images.”*

 

SUNÉ WOODS, FRED MOTEN, AND JAMES GORDON WILLIAMS
YOU ARE MINE. I SEE NOW, I’M A HAVE TO LET YOU GO
Thursday, August 23, at 7:30.
HAMMER MUSEUM, 10899 Wilshire Boulevard, Westwood, Los Angeles.
Suné Woods, still from Falling to Get Here, 2017.

FRED MOTEN AT FRIEZE NEW YORK

BLACK AND BLUR—writings by Fred Moten on artists and musicians including Charles Mingus, David Hammons, and Glenn Gould—is the first volume of CONSENT NOT TO BE A SINGLE BEING, a trilogy of essays published in the fifteen years since In the Break (2003), Moten’s landmark investigation of jazz, sexual identity, and radical black politics.

This weekend, join Moten and Sondra Perry at Frieze New York.

 

FRED MOTEN IN CONVERSATION WITH SONDRA PERRY

Saturday, May 5, at 2 pm.

Frieze New York

Randall’s Island, New York City.

Image credit above: Duke University Press.

Below: Fred Moten. Photograph by Robert Adam Mayer.