Tag Archives: Jacques Becker

L’ÉTÉ MEURTRIER AT THE FRENCH INSTITUTE

As part of their tribute to César-winning actresses, FIAF presents a rare screening of Jean Becker’s L’ÉTÉ MEURTRIER—ONE DEADLY SUMMER (1983), starring Isabelle Adjani.

“Though L’ÉTÉ MEURTRIER relates history through cinema, it’s equally interested in the history of cinema itself—specifically Italian neorealism and how Becker’s father, Jacques, often intersected politics and gender through a genre template in films such as Casque d’or and Touchez pas au grisbi. In both of these films, genre narratives serve as starting points to explore deeper regions of character desire…

“Becker uses Elle (Adjani) as a stand-in for the European postwar condition, with national boundaries no longer serving as markers of self, since all semblance (or myth) of a singular culture is gone.”*

 

L’ÉTÉ MEURTRIER—ONE DEADLY SUMMER, Tuesday, January 16, at 4 pm and 7:30 pm.

FLORENCE GOULD HALL, FIAF, 55 East 59th Street, New York City.

fiaf.org/events/summer

slantmagazine.com/one-deadly-summer

Alain Souchon and Isabelle Adjani in L’été meurtrier (1983). Image credit: Universal.

ONE DEADLY SUMMER, (aka L'ETE MEURTRIER), from left: Alain Souchon, Isabelle Adjani, 1983. ©Universal

ONE DEADLY SUMMER, (aka L'ETE MEURTRIER), from left: Alain Souchon, Isabelle Adjani, 1983. ©Universal

TAVERNIER’S CINÉMA FRANÇAIS

“Jacques Becker’s mise en scène flexes the emotions, the way you flex your muscles.” — Bertrand Tavernier

Long before he directed Isabelle Huppert and Philippe Noiret in Coup de torchonDexter Gordon in Round Midnight, or Dirk Bogarde and Jane Birkin in Daddy nostalgie, Tavernier was a cinephile par excellence. In his youth he founded a cinema club, wrote for Cahiers du cinéma, was an assistant to Jean-Pierre Melville, a publicist for Raoul Walsh and John Ford, and co-authored the volume 30 ans de cinéma américain (and its update 50 ans, both with Jean-Pierre Coursodon).

And he went to thousands of movies: in his hometown of Lyon, at a sanitorium in St. Gervais (recovering from childhood TB), in his boarding school village, and in Paris, a film-lover’s Valhalla. What he saw during those years he’s brought to the screen in his very personal new documentary VOYAGE À TRAVERS LE CINÉMA FRANÇAIS.

“A remarkable work, made with great intelligence. VOYAGE is enlightening about classic French cinema, and about many forgotten or neglected filmmakers. You are convinced that you know all that by heart, until Tavernier comes along to reveal to us the pure beauty of it all.” – Martin Scorsese

MY JOURNEY THROUGH FRENCH CINEMA/VOYAGE À TRAVERS LE CINÉMA FRANÇAIS, through July 20.

LAEMMLE ROYAL, 11523 Santa Monica Boulevard, West Los Angeles

laemmle.com/films/42390

Jean Gabin and Arletty in Le jour se lève (1939), directed by Marcel Carné.

Le_Jour_se_leve_Daybreak_6_carne-300x223

Image credit: Pathe