Tag Archives: OSCAR TUAZON

OSCAR TUAZON AT LUHRING AUGUSTINE

Oscar Tuazon’s solo exhibition at Luhring Augustine in Chelsea is on view through mid-June.

“One of Tuazon’s most ambitious projects is an architectural installation entitled ZOME ALLOY, a hollowed wooden structure consisting of eleven traversable polyhedral units, or zomes. The installation is modeled after the Zome Home, a solar powered house in Albuquerque, New Mexico designed by innovators Steve Baer and Holly Baer. One of the defining features of the Baers’ home is a double-paned glass wall that utilizes water as a heating and cooling mechanism. Though passive and sustainable, the system must be manually operated by the home’s residents, an aspect that circles back to Tuazon’s views on sculpture and the way inhabitation actively maintains it…

“For his first exhibition with Luhring Augustine, Tuazon will present a series of sculptures whose dimensions derive from the architectural openings of ZOME ALLOY. Double-paned glass is a device that he often uses to form window sculptures, whose interstices have been filled with materials that disrupt their transparency. This interplay with visibility is a hallmark of Tuazon’s practice. “*

OSCAR TUAZON

Through June 16.

Luhring Augustine

531 West 24th Street, New York City.

Top: Oscar TuazonWater Map (Goshute Aquifer, Spring Valley, NV), 2018. India ink, watercolor, marker on paper.

Below: Tuazon.

Image credit: Tuazon and Luhring Augustine.

ACCONCI — TUAZON — VIOLETTE

An exhibition at Migros revisiting works by Oscar Tuazon and Banks Violette will be up for two more weeks.

In addition to sculptures by the two artists, the show includes Tuazon’s two-track sound piece My Flesh to Your Bare Bones (2010), a dialog with Vito Acconci:

“Acconci drew up the text Antarctica of the Mind (2004) as a kind of utopian blueprint for the British research station Halley II in Antarctica; his proposal was never realized. The recording guides the listener in imagining a virtual place unconnected to any points of reference: ‘So think of this world as a white sheet of paper, a blank page,’ Acconci’s voice instructs the visitor before furnishing his virtual world with balloonlike structures made of light. Tuazon responds to the audio recording by combining it with his own voice in a simultaneous confrontation. Spoken in the perspective of a first-person narrator, his sentences transport the body to Acconci’s immaterial and featureless landscape and compete with it in a subjective and almost vulnerable manner.”*

 

COLLECTION ON DISPLAY—

OSCAR TUAZON, BANKS VIOLETTE*

Through May 13.

Migros Museum

Limmatstrasse 270, Zürich.

Above: Vito Acconci and Oscar Tuazon, My Flesh to Your Bare Bones, 2010. Two-channel audio installation, 9:46 min.

Below: Oscar Tuazon, I use my body for something, I use it to make something, I make something with my body, whatever that is. I make something and I pay for it and I get paid for it., 2010 (detail). Concrete, rebar, mesh. Collection Migros Museum.

Photographs © Stefan Altenburger.

SCULPTURE — LUHRING AUGUSTINE

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Sculptures by Rachel WhitereadGlenn Ligon, Christopher Wool, Simone Leigh, Oscar Tuazon, Reinhard Mucha, Tunga, Janine Antoni, Tom Friedman, Roger Hiorns, Phillip King, Martin Kippenberger, Jeremy Moon, Reinhard Mucha, Cady Noland, and Steve Wolfe are now on view at both New York locations of Luhring Augustine.

 

SCULPTURE, through April 14 in Chelsea, and May in Bushwick.

LUHRING AUGUSTINE, 531 West 24th Street, New York City.

LUHRING AUGUSTINE BUSHWICK, 25 Knickerbocker Avenue, Brooklyn.

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From top: Works by Glenn Ligon, Oscar Tuazon, and Rachel Whiteread. Image credit: Luhring Augustine.

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OSCAR TUAZON — FIAC

“An artistic creation achieves, at best, an idea. But tackling large-scale works means working outdoors, in contact with the public, with other people. A piece should generate something outside of itself, and Vendôme is a square that can interrupt flows and the way people see things. The pipe is therefore a type of optical system…. A work is a powerful means of resistance at this present time. A sculpture can be like a hole in the world and an opening towards another reality.” — Oscar Tuazon*

Tuazon’s colonne d’eau installation—part of the HORS LES MURS program at FIAC 2017—can be seen in the center of Paris through the end of October, 2017.

OSCAR TUAZON—FIAC: HORS LE MURS, through Wednesday, November 1.
PLACE VENDÔME, Paris.
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See Éric Troncy, “Who is Oscar Tuazon… ,” Numero, October 18, 2017:
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 *“Oscar Tuazon or the Necessity of Sculpture,” AMA, October 2, 2017:
Oscar Tuazon, Colonne d’eau, 2017, Place Vendôme. Image credit: Tuazon, and FIAC.
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EDITIONS CONTEMPORAINE

An exhibition at the Centre d’Edition Contemporaine celebrating their in-house work is now open in Geneva.

Editions by Valentin Carron, Marc Camille Chaimowicz, François Curlet, Philippe Decrauzat,JasonDodge, Sylvie Fleury, Mathis Gasser, David Hominal, Tobias Kaspar, Jakob Kolding, Giuseppe Penone, Oscar Tuazon, Oriol Vilanova,  Jean-MichelWicker, Susanne M. Winterling, and Heimo Zobernig are featured, with a special focus on Mélanie Matranga.

 

EDITED BY THE CEC, through November 25.

CENTRE D’EDITION CONTEMPORAINE, 15 rue des Rois, Geneva.

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Mélanie Matranga, B: Love Close, 2017, CEC edition. Photograph by Sandra Pointet.

Mélanie Matranga, B : Love close, edition of the CEC, 2017. © Sandra Pointet

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