Tag Archives: Virginia Woolf

THE UNFINISHED CONVERSATION

John Akomfrah’s THE UNFINISHED CONVERSATION, his documentary masterpiece about Stuart Hall —the summer highlight of MOMA‘s Unfinished Conversations: New Work from the Collection exhibition—will screen through July 30.

This three-channel video installation in its own dedicated “cinema” has been drawing crowds who tend to stay for the entire running-time and then watch it again.

From Adrian Searle’s Guardian review after CONVERSATION’s first appearance in 2012:

“The best work in the [Liverpool] biennial is undoubtedly Akomfrah’s THE UNFINISHED CONVERSATION, a three-screen video based on the life, work and talk of the incomparable Jamaican-born thinker Stuart Hall. Much more than biopic, Akomfrah juxtaposes archive news footage, readings of William Blake, Charles Dickens, and Virginia Woolf and most of all Hall’s own voice, to describe the world’s tumbling. Hall’s thoughts about identity, immigration and selfhood, evolve through a roar of telling images. The film, like the essence of Hall’s work, is about the conundrum of being in the world, and is as unexpected as it is brilliant.”*

THE UNFINISHED CONVERSATION
Through July 30.
Museum of Modern Art
11 West 53rd Street, New York City.

moma.org/calendar/exhibitions/3651?locale=en

*theguardian.com/uk/2012/sep/14/liverpool-biennial-2012-exhibition-space

John Akomfrah, The Unfinished Conversation (2012). Three-screen installation, HD video, color, sound, 45 mins (detail of still).

Courtesy the artist, the Warwick Arts Centre, and Carroll Fletcher.

John Akomfrah: The Unfinished Conversation

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JAKOB KOLDING IN GENEVA

Jakob Kolding—a Danish artist with recent shows in Berlin (ACUD), Chicago (Neubauer Collegium), Los Angeles and New York (Team Gallery)—and the Centre d’édition contemporaine in Geneva present the new exhibition THE OUTSIDE OR THE INSIDE OF THE INTERNALISED EXTERNALISED.

For this show, Kolding proposes “a scenography reminiscent of 19th century dioramas or the photomontages of the Théâtre Alfred Jarry, a small theatre that will fill all [the] exhibition spaces and be visible from outside, both as an installation and a public artwork. Several scaled up or down ‘standing’ silhouettes—Virginia Woolf, Jorge Luis Borges, Yvonne Rainer, Carl Andre, Lygia Clark, Édouard Manet, Adolfo Bioy Casares, Sigmund Freud, etc.—will be grouped on this stage set, creating an interplay of juxtapositions and gaps….illustrative of Jakob Kolding’s extended vocabulary of literary, philosophical, artistic or personal references, and encouraging a sociological, cultural and aesthetic interrogation of the use of space.

“Through a proven practice of collage extended to the exhibition space, Kolding proposes dynamic confrontations drawn from a variety of sources—the paintings of Caravaggio, the architecture of Ludwig Mies van der Rohe, the music of performers such as Arthur Russell and LL Cool J. These collisions—remixed in a highly-advanced montage aesthetic, and operating between a form of cultural dominance and spontaneous, humorous resistance—give his collages a fast-moving, quasi-musical and choreographic rhythm.”*

 

JAKOB KOLDING—THE OUTSIDE OR THE INSIDE OF THE INTERNALISED EXTERNALISED, Nuit de Bains opening preview, Thursday, May 18 at 6 pm.

Exhibition runs from May 19 through September 30.

CENTRE D’ÉDITION CONTEMPORAINE GENÈVE, Quartier des Bains, Geneva.

*c-e-c.ch/wordpress/en/news/mathisgasserdetail/

Jakob Kolding, Houseplants, 2017 © Jakob Kolding Image credit: CEC, Geneva

Jakob Kolding, Houseplants, 2017
© Jakob Kolding
Image credit: CEC Genève