Tag Archives: Hammer Museum

DARBY ENGLISH AT THE HAMMER

Join Darby English—author of the forthcoming To Describe a Life: Essays at the Intersection of Art and Race Terror—for a talk at the Hammer about “art’s interaction with instituted forms of historical subjectivity and experience.”*

English is featured in Jarrett Earnest’s new book What It Means to Write About Art.

DARBY ENGLISH—UCLA DEPARTMENT OF ART LECTURE*

Wednesday, November 28, at 7:30 pm.

Hammer Museum

10899 Wilshire Boulevard, Los Angeles.

From top: Kerry James Marshall, Untitled (policeman), 2015,© Kerry James Marshall, courtesy the artist and the Museum of Modern Art, New York; Pope.LSkin Set: Purple People Are Reason Bicarbonate, 2006-2007, ink, Wite-Out, and coffee on paper; Boym Partners, Lorraine Motel, April 4, 1968, from the series Buildings of Disaster, 1998, bonded nickel; book cover image—Zoe Leonard, Tipping Point, 2016, fifty-three copies of the first edition of The Fire Next Time by James Baldwin, Dial Press, New York—by Wilcox Design, courtesy Yale University Press.

BARBARA HAMMER

Starting this weekend, the celebrated debut feature as well as the short films of Barbara Hammer will screen in Los Angeles this month and next—a continuation of the ongoing retrospectives devoted to this filmmaking pioneer.

The UCLA Film and Television Archive series BARBARA HAMMER—SUPERDYKE includes five nights of programming, and Hammer’s AFI Fest event will feature a new 16mm print of NITRATE KISSES.

Hammer will make personal appearances during both nights of UCLA’s opening weekend—signing copies of the books Hammer!: Making Movies Out of Sex and Life, Barbara Hammer: Evidentiary Bodies, and Truant: Photographs 1970–1979—and she’ll be at the Egyptian for AFI.

BARBARA HAMMER—SUPERDYKE

Friday and Saturday, November 9 and 10.

Saturdays, November 17, December 8, and December 15.

All screenings at 7:30 pm.

Billy Wilder Theater, Hammer Museum

10899 Wilshire Boulevard, Los Angeles.

NITRATE KISSES

Sunday, November 11, at 8:15 pm.

Egyptian Theatre

6712 Hollywood Boulevard, Los Angeles.

See Corrine Fitzpatrick on Hammer’s The Art of Dying or (Palliative Art Making in an Age of Anxiety), and Hammer’s exit interview in The New Yorker.

From top: Barbara Hammer, Audience (1981); Hammer, photograph by Susan Wides; Hammer, with camera, from TruantTender Fictions (1998) by Hammer with Florrie Burke, photograph by Joyce Culver; stills from Hammer films (2). Images courtesy Barbara Hammer.

ON ADRIAN PIPER AND RACE

Join philosophers Naomi ZackRebecca Tuvel, and Diarmuid Costello for a Hammer Museum conversation about “the ways in which Adrian Piper’s art interrogates racial identity, focusing on specific works as well as Piper’s own writings about race”: the essay “Passing for White, Passing for Black” and the travel memoir Escape to Berlin.*

 

DECONSTRUCTING THE TRUISM OF RACE AS A SOCIAL CONSTRUCT*

NAOMI ZACK, REBECCA TUVEL, and DIARMUID COSTELLO in conversation

Saturday, November 3, at 2 pm.

 

ADRIAN PIPER—CONCEPTS AND INTUITIONS, 1965–2016

Through January 6.

Hammer Museum, 10899 Wilshire Boulevard, Westwood, Los Angeles.

Above: Adrian Piper, Escape to Berlin: A Travel Memoir. Image credit: Adrian Piper.

Below: Adrian PiperSelf-Portrait Exaggerating My Negroid Featuresencil on paper.

The Eileen Harris Norton Collection © Adrian Piper Research Archive Foundation Berlin. Image credit: Hammer Museum.

DO YOU KNOW ADRIAN PIPER?

In conjunction with the Hammer exhibition ADRIAN PIPER—CONCEPTS AND INTUITIONS, 1965–2016, the symposium ADRIAN PIPER—THE LONG VIEW takes an extended look at the art-historical and social changes Adrian Piper has lived through, and the ways in which they contribute to an understanding of the work on view.

Participants include artist Donna Dennis, professor Bruce Altshuler, gallerist Jeffrey Deitch, art historians Alexander AlberroNizan ShakedElvan Zabunyan, and Vid Simoniti, and Frieze senior editor Pablo Larios.

Jörg Heiser, director of the Institute for Art in Context at the University of the Arts, Berlin, will deliver the symposium’s keynote address on Piper’s artistic trajectory in Europe.

See link below for full schedule.

 

ADRIAN PIPER—THE LONG VIEW

Sunday, October 7. First panel at 11:15 am.

Hammer Museum, 10899 Wilshire Boulevard, Westwood, Los Angeles.

Above: Adrian Piper, Safe, 1990.

Below: Adrian Piper, The Mythic Being, I Embody Everything You Most Hate and Fear, 1975.

Image credit: Adrian Piper and Hammer Museum.

FOR DAVID ANTIN

Join Blaise AntinEleanor AntinJulien BismuthSteve KadoAram MoshayediMarjorie PerloffJerome Rothenberg, and Hamza Walker this week as they commemorate David Antin and his legacy two days before Antin’s Sky Poems are restaged above Los Angeles and La Jolla.

DAVID ANTIN—TALKING, ALWAYS TALKING

Thursday, September 27, at 7:30 pm.

Hammer Museum, 10899 Wilshire Boulevard, Westwood, Los Angeles.

 

DAVID ANTIN—SKY POEMS

Saturday, September 29, at 4 pm.

LACMA, 5905 Wilshire Boulevard, Los Angeles.

 

DAVID ANTIN—SKY POEMS

Saturday, September 29, at 10:30 am.

Museum of Contemporary Art San Diego, 700 Prospect Street, La Jolla.

(MCASD—La Jolla is closed for renovation, and the viewing takes place on the corner of Coast Boulevard and Cuvier Street.)

David Antin, Sky Poem, 1988, La Jolla. Image credit: Hammer Museum.