Tag Archives: maureen paley

WOLFGANG TILLMANS FOR JAHRESRING

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For its 64th iteration, Jahresring enlisted Wolfgang Tillmans to guest edit an issue, which the photographer has titled “What is Different?”:

“We have known for some time that there are people who feel drawn to esoteric conspiracy theories. What is new, however, is that hard facts are no longer believed by wide segments of the population. During the past two years, I have come to realise that if 30% of the electorate are resistant to rational argument, we are on a slippery slope.

“In light of all this, I wanted to investigate [by interviewing scientists, politicians, journalists, and social workers] why the backfire effect is having more impact today than it did ten, twenty, or forty years ago. What has changed? What is different? This latter phrase became the title of the book.” — Wolfgang Tillmans, in The Guardian*

 

WHAT IS DIFFERENT?, JAHRESRING 64, edited by Wolfgang Tillmans and Brigitte Oetker. Published by Sternberg Press.

sternberg-press.com/index

theguardian.com/artanddesign/2018/feb/28/wolfgang-tillmans-what-is-different-backfire-effect

Above: Wolfgang Tillmans, CLC 004, 2017. Courtesy David Zwirner, New York/Hong Kong, Galerie Buchholz, Berlin/Cologne, and Maureen Paley, London.

Image credit below: Jahresring and Sternberg Press.

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VINCE ALETTI ON PETER HUJAR

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Vince Aletti—collector, photography critic, and Peter Hujar’s East Village neighbor and friend—will join David Wojnarowicz biographer Cynthia Carr, author Jonathan D. Katz, and Hujar model and printing lab co-founder Gary Schneider for a conversation about Hujar, in conjunction with the Morgan exhibition of the photographer’s work.

 

PETER HUJARLIFE AND TIMES, Saturday, April 7, at 2 pm.

themorgan.org/peter-hujar-life-and-times

PETER HUJAR—SPEED OF LIFE, through May 20.

MORGAN LIBRARY AND MUSEUM, 225 Madison Avenue, at 36th Street, New York City.

themorgan.org/peter-hujar

See: anothermag.com/vince-aletti-on-peter-hujar

And: lens.blogs.nytimes.com/peter-hujar-gay-lower-east-side

Above: Peter HujarDiana Vreeland (II), 1975. © Estate of Peter Hujar, courtesy of Maureen Paley, London, and Pace/MacGill GalleryNew York

Below: Peter HujarDavid Wojnarowicz, 1981. © Estate of Peter Hujar, courtesy of Maureen Paley, London, and Pace/MacGill Gallery, New York.

David Wojnarowicz, 1981

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WEEKLY WRAP UP | AUG. 18-22, 2014

1961 photograph by Ralph Crane documenting “Black Cat Auditions in Hollywood.”   For Tales of Terror (1962) by Roger Corman

1961 photograph by Ralph Crane documenting “Black Cat Auditions in Hollywood”
For Tales of Terror (1962) by Roger Corman

This week we started off with some documentation of Another Cats Show at 356 Mission, Los Angeles, announced an evening of powerpoint presentations at Machine Project by the Los Angeles Seminary for Civic and Embodied Art (LASECA), shared photographs from the Peter Hujar exhibition at Maureen Paley in London, watched the 1959 film The Savage Eye, shared images of the Lucio Fontana exhibition at MAM, announced Margaret Lee’s exhibition at The Green Gallery in Chicago, and announced the performance building: a simulacrum of power at Clockshop this weekend.

 

PETER HUJAR AT MAUREEN PALEY

David Wojnarowicz Reclining (II) , 1981

David Wojnarowicz Reclining (II) , 1981

In her introduction to Portraits in Life and Death, Susan Sontag wrote, ‘… Fleshed and moist-eyed friends and acquaintances stand, sit, slouch, mostly lie – and are made to appear to meditate on their own mortality… Peter Hujar knows that portraits in life are always, also, portraits in death.’

Paul Thek Outside Oakleyville House, 1966

Paul Thek Outside Oakleyville House, 1966

Merce Cunningham and John Cage Seated (II), 1986

Merce Cunningham and John Cage Seated (II), 1986

MAUREEN PALEY
21 Herald Street
London E2 6JT 

Until 24 August 2014