Tag Archives: Caroline Shaw

CAROLINE SHAW — ANDREW NORMAN — NADIA SIROTA

“When I wrote Partita for 8 Voices, it was like if you had the little box of eight crayons for a long time, and then you suddenly have the box with 64, with the little pencil sharpener in the back, you kind of go all out.

“I like writing for string quartet because it’s not a wildly new palette, but there’s something constantly exciting about it. I don’t know why we make music, make art, or write… but [there’s] something about it—it’s like you just have to keep carving.” — Caroline ShawPARIS LA, 2017*

Join composer-musicians Caroline Shaw and Andrew Norman, the music ensemble Wild Up, and host (and viola player) Nadia Sirota for an “enhanced concert” featuring live performances of Shaw’s and Norman’s work, and free-wheeling conversations about their process.

This celebration of music creation is presented by CAP UCLA in downtown Los Angeles.

NADIA SIROTA—LIVING MUSIC LIVE!

with WILD UP

featuring CAROLINE SHAW

and ANDREW NORMAN

Saturday, January 12, at 8 pm.

Theatre at Ace Hotel

929 South Broadway, Los Angeles.

*“The Lilt and the Friction: Caroline Shaw in conversation with Anh Do and Eli Diner,” PARIS LA 15 (Spring 2017): 61–69.

From top:

Nadia Sirota, a Live Podcast Event with Wild Up featuring Andrew Norman and Caroline Shaw. Photograph by Shervin Lainez.

Andrew Norman. Photograph by Craig T. Matthew.

Caroline Shaw (left), Norman, and Sirota at the Theatre at Ace Hotel, January 12, 2019. Image courtesy CAP UCLA.

Shaw. Photograph by Kait Moreno.

[NEW ISSUE]: PARIS LA 15—SPRING 17—MUSIC

Screen-Shot-2017-01-19-at-9.07.15-PM

PARISLA 15SPRING 2017—MUSIC

On the cover Ash B., 2016 © Wolfgang Tillmans
Comes with a flexi disc by D.A. Spunt

112-page color
English edition
$20/€18

 

I don’t write music. We never did. Sonic Youth never did. Our writing is sitting around and playing, and reforming it. — Kim Gordon

In America we have this history where we forgive the oppressor and vilify the outsider. — Taylor Mac

I mean, I see the life politic, the life that we live all together as people, is the sum of what people throw into their world. — Wolfgang Tillmans

The last twelve months have seen Wolfgang Tillmans’ return to music after a nearly thirty-year absence, Taylor Mac’s one-time-only 24-hour concert performance, and the first release of Kim Gordon’s music under her own name.

PARISLA 15—an issue devoted to music—brings together conversations with these artists, as well as interviews with Carrie Brownstein (with Kim Gordon), Josh Da Costa and Matt Fishbeck about Solid Rain, Pulitzer Prize-winning Caroline Shaw, art and music entrepreneur Aaron Bandaroff on Know Wave, and Chloé Maratta and Flannery Silva of Odwalla88 (joined by Dean Spunt of No Age).

Issue 15 also features a conversation between LA-based curators Sohrab Mohebbi and Aram Moshayedi, and writer Gaye Theresa Johnson about her first book Spaces of Conflict, Sounds of Solidarity: Music, Race, and Spatial Entitlement in Los Angeles, essays on Lady Tigra and on Black Sabbath’s final tour by Noah LyonYelli Yelli in her own words, a piece by associate editor Evan Moffitt on Berlin and Bowie, an excerpt from The Standard Book of Color by Andrew Berardini, and a report from Standing Rock by Oscar Tuazon.