Tag Archives: Dorothy Parker

CANDIDE AT THE MUSIC CENTER

Leonard Bernstein’s operetta CANDIDE (1956)—musical theater’s polymorphous masterpiece—started out as a Cold War retort against McCarthyism, with a libretto by Lillian Hellman, and lyrics by film writer James Agee (which were dropped), Richard Wilber, John Latouche, and Dorothy Parker. In the 1970s, a book by Hugh Wheeler—truer to Voltaire’s satire—replaced Hellman’s (who had prohibited use of her work in any revivals).

The acclaimed production now at the Music Center—directed by Glimmerglass Festival general director Francesca Zambello, and conducted by James Conlon—is a co-production of Glimmerglass, the Opéra National de Bordeaux, and Théâtre du Capitole de Toulouse, and features the John Caird libretto from his 1999 Royal National Theatre staging.

Jack Swanson stars as Candide, the disillusioned optimist, and Erin Morley as his elusive love Cunegonde. Broadway legend Christine Ebersole plays the Old Lady, and Kelsey Grammer performs double duty as Voltaire and the misguided Professor Pangloss.

 

CANDIDE

Thursday, February 8, at 7:30 pm; Sunday, February 11, at 2 pm; Thursday, February 15, at 7:30 pm; and Saturday and Sunday, February 17 and 18, at 2 pm.

DOROTHY CHANDLER PAVILION, Music Center, downtown Los Angeles.

laopera.org/candide

From top:

Erin Morley, Brian Michael Moore, and Danny Lindgren in CandideL.A. Opera, 2018.

Morley, Jack Swanson, and Christine Ebersole in Candide, L.A. Opera, 2018. Photographs by Ken Howard.

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WOMEN AT WORK

The new interview book by The Paris ReviewWOMEN AT WORK, with an introduction by Ottessa Moshfegh—is limited to 5,000 copies, and is available only through the journal’s website.

Included in the book are interviews with Dorothy ParkerClaudia RankineIsak DinesenSimone de BeauvoirElizabeth BishopMarguerite YourcenarMargaret AtwoodGrace PaleyToni MorrisonJan MorrisJoan Didion, and Hilary Mantel.

 

WOMEN AT WORK—INTERVIEWS FROM THE PARIS REVIEW

theparisreview.org/women-at-work/

Image credit: The Paris Review.

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JAMES BALDWIN AND RICHARD AVEDON — NOTHING PERSONAL

“It has always been much easier (because it has always seemed much safer) to give a name to the evil without than to locate the terror within. And yet, the terror within is far truer and far more powerful than any of our labels: the labels change, the terror is constant. And this terror has something to do with that irreducible gap between the self one invents—the self one takes oneself as being, which is, however and by definition, a provisional self—and the undiscoverable self which always has the power to blow the provisional self to bits. It is perfectly possible—indeed, it is far from uncommon—to go to bed one night, or wake up one morning, or simply walk through a door one has known all one’s life, and discover, between inhaling and exhaling, that the self one has sewn together with such effort is all dirty rags, is unusable, is gone: and out of what raw material will one build a self again? The lives of men—and, therefore, of nations—to an extent literally unimaginable, depend on how vividly this question lives in the mind. It is a question which can paralyze the mind, of course; but if the question does not live in the mind, then one is simply condemned to eternal youth, which is a synonym for corruption.” — James Baldwin, from his essay “Nothing Personal”

Taschen’s NOTHING PERSONAL reprints the landmark 1964 collaboration between Richard Avedon and James Baldwin, and includes a supplementary booklet with outtakes, correspondence, and a new essay by Hilton Als.

A gallery exhibition of Avedon’s work from from book will be up at Pace MacGill until mid-January.

 

NOTHING PERSONAL—RICHARD AVEDON and JAMES BALDWIN

Taschentaschen.com/richard_avedon_james_baldwin_nothing_personal

RICHARD AVEDON—NOTHING PERSONAL, through January 13.

PACE MACGILL, 537 West 24th Street, New York City.

pacemacgill.com/show

avedonfoundation.org/nothing-personal-1964-essay-by-james-baldwin

See: aperture.org/vision-justice-online-nothing-personal/

 

From top:

Pace MacGill installation view.

Original book cover, Atheneum, 1964.

Richard Avedon, Julian Bond and members of the Student Nonviolent Coordinating Committee, Atlanta, Georgia, March 23, 1963, from Nothing Personal.

Richard Avedon, Dorothy Parker, from Nothing Personal. Avedon’s portrait of the great American writer, wit, and original member of the Algonquin Round Table was taken in 1958.

Nothing PersonalNothing PersonalCover of Richard Avedon and James Baldwin, Nothing Personal, 1964

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Spread from Richard Avedon and James Baldwin's Nothing Personal, 1964

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