Tag Archives: Fahrenheit 451 (Bahrani)

FAHRENHEIT 451

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“You’re still high on kerosene, aren’t you? I can smell it from here.” – Beatty to Guy Montag, in FAHRENHEIT 451

In a world where Frederick Douglass remains alive, well, and discredited (at least among a disingenuous White House cadre), the news that Benjamin Franklin – founder of the first American fire department – gave license to burn is less than surprising.

Intelligence is suspect, facts confuse and divide us, and memories can only bring on depression. The solutions are mandatory medication and the eternal flame of vigilance as a Praetorian guard of fireman – led by Beatty (Michael Shannon) and his protégé Guy Montag (Michael B. Jordan) – fans out over the city on a search-and-destroy mission to destroy unauthorized hard drives.

On a good night, the uniformed flamethrowers hit the holy grail: rooms full of actual books. The look, the feel, the sensuality of printed paper bound between covers prove too alluring for young Montag. Out of a particularly vivid bonfire he surreptitiously rescues a copy of Dostoyevsky’s Notes from the Underground and smuggles it back home. And a light turns on in his head.

Writer/director Ramin Bahrani’s new version of Ray Bradbury’s classic 1953 novel FAHRENHEIT 451 – Bradbury’s confrontation with the specters of McCarthyism and television – screens on HBO this weekend. When François Truffaut filmed the book in 1966, the Vietnam War was escalating, but Watergate was still in the future. In our dark, new age of fake-fake news and institutional kleptocracy, Bradbury’s extraordinary prescience rings truer than ever.

During a Film Independent at LACMA screening earlier this month, Bahrani talked with program curator Elvis Mitchell about his latest work.

“I wanted to risk a lot with this film, and more daunting than [the version by] Truffaut was Bradbury himself and the book..

“Like people first read FAHRENHEIT 451 in high school, I wanted to make a film that would impact high-school students today. This is not a movie about the future. It’s a movie about an alternate tomorrow.”

 

FAHRENHEIT 451, Saturday, May 19, at 8 pm, on HBO.

hbo.com/fahrenheit-451

filmindependent.org

See: thedailybeast.com/michael-shannon-on-fahrenheit-451

Above: Michael Shannon (left) and Michael B. Jordan in Fahrenheit 451. Image credit: HBO.

Below: Ramin Bahrani (left) and Elvis Mitchell, Film Independent at LACMA Fahrenheit 451 post-screening Q & A, Bing Theater, LACMA, May 3, 2018.

Ramin Bahrani, Elvis Mitchell, MS, Stage

GASPAR NOÉ’S CLIMAX

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CLIMAX might have just as easily been called Gaspar’s Inferno, so intensely does it portray a descent into a hellish state after its divinely physical first half. Pairing his usual boundary-pushing sex-and-drugs fixation with a vital presentation of wildly exuberant dance and movement, Gaspar Noé has made a film that’s seductive in its rhythms and bold visualization of his young dancers’ sometimes beautiful, other times brutal somatic expressiveness.” – Todd McCarthy*

Noé won the Art Cinema Award tonight at the Directors’ Fortnight at Cannes. (Last year’s winner – Chloé Zhao‘s The Rider – is in cinemas now.)

CLIMAX – which will be released in the States by A24 – stars Sofia Boutella, who also appears in the Fahrenheit 451 remake, premiering on HBO this weekend.

hollywoodreporter.com/climax

See: vulture.com/gaspar-climax

Climax, directed by Gaspar Noé. Image credit: A24.

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