Tag Archives: Human Resources

QUEER INTIMACY AND STATES OF EMOTION

An exhibition at Human Resources curated by artist and filmmaker Telémachos Alexiou will raise funds for his newest film projects: the feature THE VOICE OF AN ANGEL, and the documentary EMI’S MOVIE, about the life and work of gallerist, curator, yogini, and writer Emi Fontana.

THE VOICE OF AN ANGEL proposes as its core-dogma the idea that a delusion is an essential life force and therefore reminds us that art is a lie that tells the truth. It tells the story of a young self-exiled Greek actor in Berlin, and his awakening of conscience while back in Athens…

“The spell began during my secret explorations of my mother’s bedroom as a little child… I started making up myths and stories about my mother in order to create the illusion I could exert even the slightest of influence on her life before me—as if by doing so I could gain full control over my own fate.” — Telémachos Alexiou

The work in this show “manifests Alexiou’s personal relationships with the artists, shedding light upon the intimate moments, struggles, pleasures and agonies of being queer in 2019. The exhibition’s curation is a love letter to the artists, intended to bridge the geographical distance and emotional longing between continents.”* Exhibiting artists include Ron AtheyLucas Bihler, CassilsAlex ChavesZackary DruckerSpilios GianakopoulosMonilola IlupejuYoung Joon KwakEva MitalaTyler Matthew OyerZander PorterElliot ReedSpyros Rennt, Jason Al-Taan and Alexiou. 

This event is co-hosted by Zak Stone, with performances by Christopher Argodale and Tyler Matthew Oyer, and an afterparty with surprise DJ sets.

QUEER INTIMACY AND STATES OF EMOTION / CROSS-CONTINENTAL FRIENDSHIPS

Wednesday, May 29; doors open at 7 pm.

Performances by Christopher Argodale at 7:30 pm and Tyler Matthew Oyer at 10:15 pm.

Human Resources

410 Cottage Home Street, downtown Los Angeles.

From top: Eva Mitala, untitled (1), silkscreen; Jason Al-Taan, The Ivy Terrace, 2017, photograph; Monilola Ilupeju, Intimacy Study (1 and 2), 2016, photography and print on plastic foil; Elliot Reed, Lesson, 2018, video still; Tyler Matthew Oyer, untitled (Sigil), 2016, acrylic on paper; Spyros Rennt, Catalin by the window, 2017, photograph; Spyros Rennt, Freckles (joy), 2017, photograph; Lucas Bihler, untitled (1), 2019, photograph; Telémachos Alexiou, Self #2, 2017, photograph and print text; Telémachos Alexiou, Self #3, 2017, photograph and print text, both from the Fassbinder Series. Images courtesy and © the artists.

JENNIFER DOYLE — LETTING GO

Jennifer Doyle—author of Hold It Against Me: Difficulty and Emotion in Contemporary Art and Campus Sex, Campus Security—will read from a work-in-progress: reflections on living with harassment.

 

JENNIFER DOYLE—LETTING GO

Sunday, January 6, at 6 pm.

Human Resources

410 Cottage Home Street, downtown Los Angeles.

Above image credit: Semiotext(e).

Below: Jennifer Doyle.

KAYLA TANGE PERFORMANCE

Human Resources presents a multimedia installation and performance by Kayla Tange.

Curated by Vardui Sharapkhanyan, DEFINING BOUNDARIES explores the construction of boundaries that protect sacred interiority. Tange’s performance utilizes ritual, sound, ephemeral architecture and collected confessions (including her own) in an attempt to establish psychic, emotional and physical boundaries, guarding against abuse and trauma.

Tange has had solo performances at Coagula Curatorial, Highways Performance Space, Miami Art Basel, and the Asian Burlesque Extravaganza, and performed alongside Sheree Rose, Ron Athey, and Taylor Mac.

 

KAYLA TANGE—DEFINING BOUNDARIES

Performance and opening

Thursday, December 20, at 8 pm.

Installation, December 20 and 21.

Human Resources

410 Cottage Home Street, Chinatown, Los Angeles.

Above: Kayla Tange, courtesy the artist.

Below: Tange. Photograph by Luka Fisher.

ALEXANDER KLUGE’S NEWS FROM IDEOLOGICAL ANTIQUITY

NEWS FROM IDEOLOGICAL ANTIQUITY—MARX/EISENSTEIN/CAPITAL—the 2008 film by filmmaker and social theorist Alexander Kluge on Sergei Eisenstein’s unrealized attempt to film Das Kapital—will screen at Human Resources in its full nine-hour length. Come and go as you please, and bring a pillow.

“The film expands in concentric circles as Kluge, his guests, interlocutors, and monologists make associative links on a range of topics that starts from a filmic discussion of Eisenstein’s notes.” — Marty Kirchner*

 

NEWS FROM IDEOLOGICAL ANTIQUITY—MARX/EISENSTEIN/CAPITAL*

Sunday, December 2, from noon to 9:30 pm.

Human Resources, 410 Cottage Home, Chinatown, Los Angeles.

Below: Alexander Kluge.

A GRAMMAR BUILT WITH ROCKS

A GRAMMAR BUILT WITH ROCKS—a two-part group exhibition at Human Resources and ONE National Gay & Lesbian Archives at the USC Libraries, curated by Shoghig Halajian and Suzy Halajian—“presents artistic practices that trace the racialized and gendered relationship between bodies and land, and question narratives of socioecological crisis that contribute to the displacement and erasure of people and collective formations.

“The project appropriates its title from Édouard Glissant’s writingsas it looks to the ways in which the landscape contains, unfolds, and narrates its own history.”*

In a related program, Jumana Manna’s WILD RELATIVES (2018) will screen at Redcat in December.

A GRAMMAR BUILT WITH ROCKS

Through November 4.

Human Resources, 410 Cottage Home Street, Chinatown, Los Angeles.

 

Through December 22.

ONE National Gay and Lesbian Archives at the USC Libraries*

909 West Adams Boulevard, Los Angeles.
.
Monday, December 10, at 8:30 pm.
Redcat, 631 West 2nd Street, downtown Los Angeles.
Top: Cauleen SmithRemote Viewing, 2009, video still, 15:13 min. Courtesy of the artist, Corbett vs. Dempsey, Chicago, and Kate Werble Gallery, New York.
Above: Film still from Wild Relatives, directed by Jumana Manna. Image courtesy the artist and Redcat.
Below: Pauline Boudry and Renate LorenzToxic, 2012. Installation with Super 16mm film / HD, 13 minutes and archive. Courtesy the artists.