Tag Archives: Kim Gordon

JUTTA KOETHER — XXAPOLLO

In her performances, Jutta Koether enacts a highly specific form of entangled action centering on and around specific artworks. Embedded with performative possibility, these objects—positioned in a room, a situation, a city—circuit together in a network of language, duration, and the artist’s active negotiation between producer and produced.*

JUTTA KOETHER—XXAPOLLO*

Sunday, January 5, at 2 pm.

Artists Space

11 Cortlandt Alley, New York City.

Jutta KoetherFifth Season Act, Apotheosically, Artists Space, 2012 (2); Koether (right) and Kim Gordon at the Mike Kelley opening, Geffen Contemporary at MOCA, Los Angeles, March 30, 2014, photograph by Rachel Murray.

KIM GORDON — SHE BITES HER TENDER MIND

Inhabiting the four rooms of the IMMA’s Courtyard Galleries, Kim Gordon’s exhibition SHE BITES HER TENDER MIND presents new and unseen work—including paintings, drawings, sculptures from the Noise Painting, From the Boyfriend, and Airbnb series—and an immersive video projection.

KIM GORDON—SHE BITES HER TENDER MIND

Through November 10.

Irish Museum of Modern Art

Royal Hospital Kilmainham, Dublin.

See “No Retirement Plan: Kim Gordon and Carrie Brownstein in Conversation with Dorothée Perret.” PARIS LA 15 (2017).

Kim Gordon, from top: Proposal For a Dance, 2008–2010, DVD still, 12 minutes; Dead Machines, 2018, acrylic on canvas; Lay Down Thy Limbs 2, 2019, acrylic and medium on canvas; Black Glitter Circle, 2008, glitter; Mood, 2018, acrylic on canvas; Untitled (from the boyfriend series), 2015, acrylic, medium, and interference powder on denim skirt; Proposal For a Dance, 2008–2010, still. Images courtesy and © the artist and 303 Gallery, New York.

JESPER JUST’S INTERPASSIVITIES

Artist and filmmaker Jesper Just’s INTERPASSIVITIES “immerses participants in a life-size no-man’s land” and “charts the fractured, ever-changing topography of modern experience” in a performance art work incorporating ballet and video projections, with music composed by Kim Gordon and August Rosenbaum.*

This Next Wave Festival presentation is the U.S. premiere of Just’s piece.

 

INTERPASSIVITIES*

Thursday, November 15, at 7:30 pm.

Friday, November 16, at 7:30 pm and 9:30 pm.

Saturday, November 17, at 2 pm and 7:30 pm.

BAM Fisher, 321 Ashland Place, Brooklyn.

Above and below: Jesper Just, Interpassivities.

Courtesy the artist, and PerrotinJames Cohan Gallery, and Galleri Nicolai Wallner.

QUEERCORE AT REDCAT

John Waters, Kim Gordon, Kathleen Hanna, Bruce La Bruce, Dennis Cooper, Genesis P-Orridge, Peaches, Patty Schemel, Justin Vivian Bond, Silas Howard, Rick Castro, and many others give on-camera interviews in QUEERCORE: HOW TO PUNK A REVOLUTION, Yony Leyser’s new documentary screening this weekend at REDCAT. Archive footage features Beth Ditto, Hole, Bikini Kill, Gossip, Pansy Division, and Tribe 8.

This screening is presented by Outfest, and supported by the Goethe-Institut.

QUEERCORE: HOW TO PUNK A REVOLUTION , Saturday, July 15, at 5 pm.

REDCAT, Disney Hall, Music Center, downtown Los Angeles.

outfest.org

goethe.de/ins/us/en/ver.cfm?fuseaction=events.detail&event_id=21000097

Bikini Kill. Image credit: i-D-Vice.

​listen to an unreleased track from bikini kill’s legendary demo session
listen-to-an-unreleased-track-from-bikini-kills-legendary-demo-session-1440000374