Liz Larner, who “first encountered Chris Burden and his practice—a catalyst for Larner’s own use of scale and process—during her time at CalArts,” will give a talk on the late artist at GeffenContemporary at MOCA.*
DoPePress is extremely happy to see the return of the Printed Matter–LA Art Book Fair to the Geffen Contemporary at MOCA. We will be in section H07 on the main level.
Our newest publications—the journal PARIS LA 16: “The Fashion and Writing Issue” and the artist’s book …my life in the sunshine—Liz Craft 2006–2017—will be available, as well as our back catalogue and a selection of out-of-print titles.
For art and fashion lovers: In 2013 the artist Max Hooper Schneider created a silk scarf edition with P.P.M. Studio, Milan. We are offering the edition for purchase, as well as his last available original artwork from this series—dense, hand-drawn graphic lines recalling imaginative worlds and biologies—which will be part of a forthcoming book published by DoPe Press in September 2019.
In addition, we have invited some friends and family from Paris to share their publications and journals: ParaguayPress, MAY, and Profane.
From top: Cassi Namoda, Love and compromise between a clock and hyena, 2018, from “Selected Paintings,” PARIS LA 16; Liz Craft, …my life in the sunshine–Liz Craft 2006-2017 page layout; image from PARIS LA 16, drawing of Lotta Volkova by Cédric Rivrain, 2018; image from PARIS LA 14, photograph of Elizabeth Schmitt Jennerjahn and Robert Rauschenberg at Black Mountain College by Hazel Larsen Archer; image from Alex Hubbard, Eat Your Friends (DoPe Press, 2015); Max Hooper Schneider, silk scarf edition for P.P.M. Studio, 2013, photograph by Nuage Lepage, 2019; image from PARIS LA 14, Juliana Huxtable, Sympathy for the Martyr, 2015; image from Oscar Tuazon, Live (DoPe Press and Buchhandlung Walther König, 2014); cover image, Pentti Monkkonen, Box Truck Paintings (DoPe Press, 2014); PARIS LA 16 inside covers, Michèle Lamy, photograph by Katerina Jebb, 2018.
From top: William E. Jones, The Fall of Communism as Seen in Gay Pornography, 1998, still, courtesy the artist and David Kordansky Gallery, Los Angeles; Brontez Purnell, courtesy the artist; Nguyen Tan Hoang, courtesy the author; Mariah Garnett, Encounters I May or May Not Have Had with Peter Berlin, 2012, still, courtesy the artist; Tony Ward in Hustler White (1996), written and directed by Bruce LaBruce and Rick Castro, courtesy the artists.
Following a Brutally Early Club breakfast at 7 am, KlausBiesenbach and Hans Ulrich Obrist will join LaurenHalsey for a morning conversation at MOCA Geffen, in collaboration with FriezeLosAngeles.
From top: Lauren Halsey; Lauren Halsey, The Crenshaw District Hieroglyph Project (PrototypeArchitecture), (detail), 2018, Hammer Museum, Made in L.A. 2018, image courtesy the artist and the Hammer Museum; Halsey.
This week, join architect Liam Young at MOCA Geffen for a discussion about the practice and influences of artist Adrián Villar Rojas and the exhibition ADRIÁN VILLAR ROJAS—THE THEATER OF DISAPPEARANCE.
LIAM YOUNG ON ADRIÁN VILLAR ROJAS, Thursday, November 2, at 7 pm.
ADRIÁN VILLAR ROJAS—THE THEATER OF DISAPPEARANCE, through May 13, 2018.
GEFFEN CONTEMPORARY AT MOCA, 152 North Central Avenue, downtown Los Angeles.
Adrián Villar Rojas in 2013. Photograph by Doris Kessler.
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