Tag Archives: Wayne Healy

ENTRE TINTA Y LUCHA — SELF HELP GRAPHICS & ART RETROSPECTIVE

ENTRE TINTA Y LUCHA—“between ink and protest”—is an exhibition of fine art prints covering forty-five years of art and graphic design from Self Help Graphics & Art,* the East Los Angeles organization dedicated to the “production, interpretation, and distribution of prints and other art media by Chicana/o and Latina/o artists.”

Seen as a descendant of Mexico City’s Taller de Gráfica Popular (founded in 1937), Self Help was incorporated as a non-profit in Boyle Heights in 1973 by Sister Karen Boccalero and the artists Carlos Bueno, Antonio Ibañez, and Frank Hernandez.

The collective’s “disciplinary, intergenerational programs” continue to promote “artistic excellence and empower community by providing access to working space, tools, and training.”*

ENTRE TINTA Y LUCHA—

45 YEARS OF SELF HELP GRAPHICS & ART

Opening January 31, from 6 pm to 8 pm.

Exhibition runs through March 9.

Todd Madigan Gallery, CSUB 

9001 Stockdale Highway, Bakersfield.

Artists in the exhibition include William Acedo, Margaret Alarcon, Judy Baca, Sandow Birk, Sister Karen BoccaleroChaz Bojorquez, Barbara Carrasco, Yreina Cervantez, Lawerence Colación, Sam Coronado, Alfredo de Batuc, Roberto Delgado, Victoria Delgadillo, Alex Donis, Richard Duardo, Felipe Ehrenberg, Enik One, Luis Genaro Garcia and Lilia Ramirez, Mark Steven Greenfield, Dolores Guerrero-Cruz, Gronk, Miles Hamada, Wayne Healy, Ester Hernandez, Bernard Stanley Hoyes, Jean LaMarr, Leo Limon, Alma Lopez, Jose Lozano, El Mac, Dalila Paola Mendez, Willie R. Middlebrook, Delilah Montoya, Malaquias Montoya, Eduardo Oropeza, Raymond Pettibon, Miguel Angel Reyes, Frank Romero, Sonia Romero, Favianna Rodriguez, Shizu Saldamando, Teddy Sandoval, Miyo Stevens-Gandara, Joey Terrill, Eloy Torrez, Peter Tovar, John Valadez, Patssi Valdez, Vincent Valdez, Linda Vallejo, Lawrence M. Yanez, Ernesto Yerena, and Jaime (Germs) Zacarias.

From top: Joey Terrill, Remembrance, 2008, serigraph; Jean Lamarr, Some Kind of Buckaroo, 1990, serigraph; Ester HernandezLa Ofrenda, 1988, serigraph; Chaz BojorquezNew World Order, 1994, serigraph; Wayne Healy, Bolero Familiar, 2002, serigraph.

LA/LA/LA AT ROBERT BERMAN

LA/LA/LA—a PST: LA/LA show at Robert Berman Gallery—showcases artwork from two historical exhibitions/catalogues of contemporary art—Hispanic Art in the United States—Thirty Contemporary Painters and Sculptures (1987, Brooklyn) and Le Demon des Anges—16 artistes chicanos al voltant de Los Angeles (1989, Nantes)—as well as pieces Berman has shown in his gallery since 1979.

LA/LA/LA features work, documentation, and ephemera by Carlos Alfonzo, Carlos Almaraz, Sol Aquino, Sergio Bustamante, Oscar Castillo, Fulgencio F. Corral, Richard Duardo, Rudy Fernandez, Elsa Flores, Diane Gamboa, Harry Gamboa Jr.Margaret Garcia, Roberto Gil de Montes, Yolanda Gonzalez, Robert Graham, Gronk, Wayne Healy, Luis Jimenez, Roberto Juarez, Leo Limon, Los Four, Gilbert “Magu” Lujan, Daniel Joseph Martinez, Jesus Moroles, Manuel Ocampo, Retna, Frank Romero, Rafael SerranoPaul Sierra, Eloy Torrez, and John Valadez.

A special featured exhibition of works by Martín Ramírez is also on view, courtesy of the Martín Ramírez Estate and Ricco/Maresca Gallery, “[which] has championed the art of self-taught masters working outside the art-historical mainstream since it was founded in 1979.”*

Ramírez is also featured in the exhibition MARTÍN RAMÍREZ—HIS LIFE IN PICTURES, ANOTHER INTERPRETATION at the Institute of Contemporary Art, Los Angeles (ICA LA).

LA/LA/LA, through October 14.

ROBERT BERMAN GALLERY, Bergamot Station, 2525 Michigan Avenue, Santa Monica.

robertbermangallery.com/

bergamotstation.com

MARTÍN RAMÍREZ—HIS LIFE IN PICTURES, ANOTHER INTERPRETATION, through December 31.

ICA LA, 1717 East 7th Street, downtown Los Angeles.

pacificstandardtime.org/en/exhibitions/exhibit/view/Martin-Ramirez-His-Life-in-Pictures

*  riccomaresca.com/

From top:

Martín Ramírez, Untitled (Horse and Rider with Frieze), no date, gouache, colored pencil, and graphite on pieced paper.

Le Demon des Anges catalogue. Image credit: Ezra the Bookfinder.

Gilbert “Magu” Lujan, Untitled, 1984, pastel on paper.

Daniel Joseph MartinezI can’t imagine ever wanting to be white, 1993, published for the Whitney Museum Biennial, metal tags encased in resin.

John ValadezCarlos (Almaraz), Sunshine, Ramon, Glenn and Elizabeth, 1983, pastel on paper.

Frank RomeroMuscle Car, 1991, oil and gold leaf on wood with neon lights.

GronkLa Tormenta, 1985, acrylic on canvas.

Harry Gamboa Jr.First Supper (After A Major Riot), 1974/Printed 2008, ASCO, chromogenic print mounted to aluminum.

Harry Gamboa Jr.Asshole Mural, 1974/Printed 2008, ASCO, Chromogenic print.

All artwork images courtesy of the artists and the Robert Berman Gallery.

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