Tag Archives: Yvonne Rainer

YVONNE RAINER AND LYNNE TILLMAN AT LINCOLN CENTER

In conjunction with the Film Society of Lincoln Center program TALKING PICTURES: THE CINEMA OF YVONNE RAINER, the dancer–choreographer will join novelist and critic Lynne Tillman for a wide-ranging discussion of Rainer’s work as a filmmaker.

A CONVERSATION WITH YVONNE RAINER AND LYNNE TILLMAN, Monday, July 24, at 7 pm.

AMPHITHEATER, ELINOR BUNIN MUNROE FILM CENTER, 144 West 65th Street, New York City.

 

TALKING PICTURES: THE CINEMA OF YVONNE RAINER, through July 27.

FRANCESCA BEALE THEATER, ELINOR BUNIN MUNROE FILM CENTER, 144 West 65th Street, New York City.

filmlinc.org/films/a-conversation-with-yvonne-rainer-and-lynne-tillman/

filmlinc.org/series/talking-pictures-the-cinema-of-yvonne-rainer/#schedule

Stills from Film About a Woman Who… (1974), directed by Yvonne Rainer. Image credit: Zeitgeist Films.

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JAKOB KOLDING IN GENEVA

Jakob Kolding—a Danish artist with recent shows in Berlin (ACUD), Chicago (Neubauer Collegium), Los Angeles and New York (Team Gallery)—and the Centre d’édition contemporaine in Geneva present the new exhibition THE OUTSIDE OR THE INSIDE OF THE INTERNALISED EXTERNALISED.

For this show, Kolding proposes “a scenography reminiscent of 19th century dioramas or the photomontages of the Théâtre Alfred Jarry, a small theatre that will fill all [the] exhibition spaces and be visible from outside, both as an installation and a public artwork. Several scaled up or down ‘standing’ silhouettes—Virginia Woolf, Jorge Luis Borges, Yvonne Rainer, Carl Andre, Lygia Clark, Édouard Manet, Adolfo Bioy Casares, Sigmund Freud, etc.—will be grouped on this stage set, creating an interplay of juxtapositions and gaps….illustrative of Jakob Kolding’s extended vocabulary of literary, philosophical, artistic or personal references, and encouraging a sociological, cultural and aesthetic interrogation of the use of space.

“Through a proven practice of collage extended to the exhibition space, Kolding proposes dynamic confrontations drawn from a variety of sources—the paintings of Caravaggio, the architecture of Ludwig Mies van der Rohe, the music of performers such as Arthur Russell and LL Cool J. These collisions—remixed in a highly-advanced montage aesthetic, and operating between a form of cultural dominance and spontaneous, humorous resistance—give his collages a fast-moving, quasi-musical and choreographic rhythm.”*

 

JAKOB KOLDING—THE OUTSIDE OR THE INSIDE OF THE INTERNALISED EXTERNALISED, Nuit de Bains opening preview, Thursday, May 18 at 6 pm.

Exhibition runs from May 19 through September 30.

CENTRE D’ÉDITION CONTEMPORAINE GENÈVE, Quartier des Bains, Geneva.

*c-e-c.ch/wordpress/en/news/mathisgasserdetail/

Jakob Kolding, Houseplants, 2017 © Jakob Kolding Image credit: CEC, Geneva

Jakob Kolding, Houseplants, 2017
© Jakob Kolding
Image credit: CEC Genève

CHANTAL AKERMAN AT CINEFAMILY

Women of Cinefamily present a weekend of screenings in their No Great Women Artists series, a look at how the Jill Soloway and Sarah Gubbins web series I Love Dick pays tribute to the work of filmmakers like Chantal Akerman, Sally Potter, Carolee Schneeman, and Naomi Uman.

In the 1970s, Akerman spent her early twenties in New York City and absorbed the cinema of Yvonne Rainer, Michael Snow, and Jonas Mekas. Returning to Belgium, Akerman crafted two of her greatest works: JE, TU, IL, ELLE (1974), and JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (1975), both screening at Cinefamily.

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JE, TU, IL, ELLE

Sunday, May 7, at 6 pm.

JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES
Monday, May 8, at 7:30 pm.
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Cinefamily
611 North Fairfax, Los Angeles.
Above: Chantal Akerman.
Below: Je, tu, il, elle, directed by Chantal Ackerman

WEEKLY WRAP UP | JULY 7-11, 2014

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This week we spent a day at the New Museum, announced the book launch for Queer Zines at Pro qm in Berlin, gave you a tour of le Chateau de Vaux-Le-Vicomte just outside of Paris, announced ‘My Atlas’ – an outdoor summer screening series in Los Angeles about women travelers, toured Heimo Zobernig’s new exhibition at Mudam in Luxembourg, announced a screening of the new documentary Hairy Who & The Chicago Imagists at 356 Mission in L.A., spent a cloudy Paris day at Martial Raysse at Centre Pompidou, and gave you a sneak peak of Yvonne Rainer: Dances and Films at The Getty.

What a great week!

YVONNE RAINER AT THE GETTY

rainer2Yvonne Rainer: Dances and Films is currently on view at The Getty until October 12, 2014. The survey includes photographic documentation of Rainer’s choreographic works, old notebooks and journals, films, posters, and other ephemera. It’s a beautiful little survey of Rainer’s work. I was delighted to see her notebooks, which included collections of quotes, diaries, dream diaries, and sketches for dances. Each notebook was accompanied with a headset and audio of Rainer reading. I thought this was a nice curatorial move, a way into each notebook and Rainer’s intimate thoughts, since such things are hard to display in their entirety when frozen behind glass. Rainer is truly an inspirational artist. Her work is personal, intimate, political, radical, and it explores the body, feminism, etc. This is a rare chance to see all of her experimental films, documentation, and personal objects in one place. Visit if you can, otherwise take a look at the website, which offers quite a bit of information, audio, and images of works included in the exhibition.

Yvonne Rainer and Bill Davis in “Love,” the final section of “Play” in Terrain (1963), Yvonne Rainer. Judson Memorial Church, New York, 1963. (Photo: Al Giese. The Getty Research Institute, 2006.M.24)

Yvonne Rainer and Bill Davis in “Love,” the final section of “Play” in Terrain (1963), Yvonne Rainer. Judson Memorial Church, New York, 1963. (Photo: Al Giese. The Getty Research Institute, 2006.M.24)

Yvonne Rainer in the “Bach” section of Terrain (1963), Yvonne Rainer. Yvonne Rainer in the “Bach” section of Terrain (1963), Yvonne Rainer. Judson Memorial Church, New York, 1963. (Photo: Al Giese. The Getty Research Institute, 2006.M.24)

Yvonne Rainer in the “Bach” section of Terrain (1963), Yvonne Rainer.
Yvonne Rainer in the “Bach” section of Terrain (1963), Yvonne Rainer. Judson Memorial Church, New York, 1963. (Photo: Al Giese. The Getty Research Institute, 2006.M.24)

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