Yvonne Rainer—a founding member of Judson Dance Theater—returns to WeisAcres to present the lecture-performance A TRUNCATED HISTORY OF THE UNIVERSE FOR DUMMIES, including a 6th-generation version of a section of TRIO A, performed by Apollo.
Sunday, December 16, at 6 pm.
WeisAcres
537 Broadway (between Spring and Prince), #3,
New York City.
Tag Archives: Yvonne Rainer
STEVE PAXTON AND DAVID VELASCO IN CONVERSATION
Join dancer-choreographer Steve Paxton and Artforum editor David Velasco on Thursday for a conversation following the 3 pm performance of STEVE PAXTON—PERFORMANCES BY STEPHEN PETRONIO COMPANY, part of the Judson Dance exhibition at MOMA.
STEVE PAXTON and DAVID VELASCO—
POST-PERFORMANCE ARTIST CONVERSATION
Thursday, December 13, at 4 pm.
Museum of Modern Art
11 West 53rd Street, New York City.
Top: Trisha Brown and Steve Paxton.
Above: Yvonne Rainer and Paxton in Word Words, 1963. Photograph by Al Giese.
Below: Paxton (standing) and Robert Rauschenberg in Spring Training (1965). Photograph Ugo Mulas © Heirs of Ugo Mulas. All rights reserved.
JILL JOHNSTON DANCING
In 1963 and 1964, Andy Warhol captured dancer-choreographers Lucinda Childs, Yvonne Rainer, and Freddy Herko, and Village Voice dance critic Jill Johnston with his Bolex—performing in lofts, on rooftops, and at Judson.
These cinematic time capsules will be screened this weekend and next at the Whitney, and in early December at MOMA.
The films include Jill Johnston Dancing, Freddy Herko, Jill and Freddy Dancing, Lucinda Childs, and Shoulder.
DO IT YOURSELF—WARHOL AS BALLETOMANE
Saturday, November 17, at 7 pm.
Friday, November 23, at 2 pm.
ANDY WARHOL—FROM A TO B AND BACK AGAIN
Through March 31.
Whitney Museum of American Art
99 Gansevoort Street, New York City.
Tuesday, December 4, at 7:30.
Saturday, December 8, at 4:30 pm.
JUDSON DANCE THEATER—THE WORK IS NEVER DONE
Through February 3.
Museum of Modern Art
11 West 53rd Street, New York City.
Above: Andy Warhol, Jill Johnston Dancing, 1964.
Below: Andy Warhol, Jill and Freddy Dancing, 1963.
Image credit: © 2018 The Andy Warhol Museum, Pittsburgh, a museum of Carnegie Institute. All rights reserved.
JULIAN ROSEFELDT AND CATE BLANCHETT IN LOS ANGELES
On the occasion of JULIAN ROSEFELDT—MANIFESTO—, the West Coast premiere of the work as a 13-channel film installation, Cate Blanchett and CAP UCLA director Kristy Edmunds will join the artist in conversation.
Drawing on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists, and Dogme 95—including Yvonne Rainer, Claes Oldenburg, Wyndham Lewis, Kazimir Malevich, André Breton, Kurt Schwitters, Elaine Sturtevant, Sol LeWitt, and Werner Herzog—Rosefeldt directed Blanchett through her investigation of thirteen different personas, “from a factory worker to a television news anchor to a homeless man, performing various historical artists’ manifestos.
“The work pays homage to the long tradition and literary beauty of public statements made by artists, and serves to provoke reflection upon the role of the artist as an active citizen in society today.”*
JULIAN ROSEFELDT, CATE BLANCHETT, and KRISTY EDMUNDS IN CONVERSATION*
Saturday, October 27, at 3 pm.
Hauser & Wirth
901 East 3rd Street, downtown Los Angeles.
(In 2017, Manifesto was commercially released as a 95-minute film, and played locally at the Monica Film Center.)
Cate Blanchett in Manifesto (3). Image credit: Julian Rosefeldt.
FREDDY
“Freddy was addicted to that moment between the body’s rise and fall.” — FREDDY, by Deborah Lawlor
Freddy Herko was a beautiful, talented dancer, a co-founder (with Diane di Prima, Amiri Baraka, and choreographer James Waring) of the New York Poets Theatre, and—with Lucinda Childs and Yvonne Rainer—a charter member of Judson Dance Theater.
At Warhol’s factory, he was introduced to the wonders of methamphetamine. A runaway addiction commenced, which ended in 1964 when Freddy—age 28, but aging fast—took a great, naked leap into the blue from a fifth-floor loft in Lower Manhattan, the highly amplified sounds of Mozart’s “Coronation Mass” following him out the window.
Herko’s ballet days and Factory nights are revisited in FREDDY, Deborah Lawlor’s 50-minute fantasia—part theater, part dance, part happening. Lawlor (a co-founder of the Fountain Theatre in Los Angeles) was an intimate of Herko’s in the ’60s, and knew all of the characters who dance through her piece: Waring (Mel England), Billy Name (Connor Clark Pascale), Ondine (Justice Quinn), Rotten Rita (Jesse Trout), etc. In the title role, Marty Dew ably captures the energy and waste of Herko’s fast trip and long drop, but the piece is anchored by Lawlor’s alter ego—a narrator called “present-day Shelley”—played with grace by former dancer and veteran actor Susan Wilder.
FREDDY—a Fountain Theatre production, playing off-site at the Los Angeles City College’s Vermont Avenue campus—is directed by Frances Loy, with choreography and movement direction by Cate Caplin.
FREDDY, through October 14.
CAMINITO THEATRE, LACC, 855 North Vermont, Los Angeles.
See Tim Teeman, “The Life and Dramatic Death of an Avant-Garde Hero,” The Guardian, October 23, 2014:
From top:
Fred Herko dancing on rooftop in Manhattan in the early 1960s; Freddy, with Jesse Trout (kneeling left), Connor Clark Pascale (standing right), Justice Quinn (below Pascale); Marty Dew as Herko in Freddy; Herko.
All Freddy photographs by Ed Krieger.