Tag Archives: ariana reines

SPERM CULT

Celebrating ethnographic sexual taboos and occult practices, SPERM CULT—curated by Hamza Walker at LAXART—expands on Elijah Burgher and Richard Hawkins’ original Bad Dimension publication to include other artists “whose work shares similar themes of sexuality, transgression, desire, and ritual”: ektor garcia, Ryan M. Pfeiffer and Rebecca Walz, Ariana Reines and Oscar Tuazon, and Scott Treleaven.*

SPERM CULT*

Through January 6.

SPERM CULT WALK THROUGH WITH HAMZA WALKER

Sunday, January 6, at 2 pm.

LAXART, 7000 Santa Monica Boulevard, Hollywood.

Top: Elijah Burgher and Richard HawkinsSperm Cult, 2018, manipulated inkjet photo. Courtesy the artists and LAXART.

Publication image credit above: Burgher, Hawkins, and Bad Dimension Press.

Below: Sperm Cult installation view; Ryan M. Pfeiffer and Rebecca Walz (left), and Ariana Reines and Oscar Tuazon (right). Photograph by Ruben Diaz.

Thanks to Darius Sabbaghzadeh.

MCGINLEY’S MIRROR

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Inspired by instructional artworks by Miranda July, Sol LeWitt, Rob Pruitt, and Yoko Ono, photographer Ryan McGinley delivered cameras, rolls of film, mirrors, and sets of instruction to his subjects—who range in age from 19 to 87—and waited for the undeveloped film to be sent back to him.

McGinley’s edition of these selfies constitute the new show MIRROR, MIRROR, now on view.

Ryan McGinley, ‘Desmond’, 2018, Team Gallery

Rizzoli’s exhibition catalogue includes an essay by longtime PARIS LA contributor Ariana Reines:

“It is a peculiar gift to be trapped in something so recursive as the present, on a planet reflecting the circuits of the stars, in a society that would kill itself to become a star… If we could see and believe how lovely we are, I want to say, as the people in this book seem to do, we might not slide so endlessly down the back of the real the way it keeps happening, down the glass fronted skyscrapers, down the touchscreens our slaves made for us, scrolling down the long length of the think piece, and down the waxed anus of somebody else’s body…”*

Ryan McGinley, ‘Eric’, 2018, Team Gallery

RYAN MCGINLEY—MIRROR, MIRROR, through September 29.

TEAM GALLERY, 83 Grand Street, New York City.

teamgal.com/mirror_mirror

Exhibition catalogue: rizzoliusa.com/book

ryanmcginley.com

From top: Jade, Eric, and Shane, all 2018. From the exhibition Ryan McGinley—Mirror, Mirror.

Images courtesy of the artists and Team Gallery.

Ryan McGinley, ‘Shane’, 2018, Team Gallery
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ARIANA REINES AND AMY GERSTLER AT LAXART

This weekend, join longtime PARIS LA contributor Ariana Reines and L.A.-based writer Amy Gerstler for poetry and afternoon cocktails at LAXART.

 

I HEART POETRY AND DAY DRINKING—AMY GERSTLER AND ARIANA REINES READING, Saturday, June 9, at noon.

LAXART, 7000 Santa Monica Boulevard, Hollywood.

laxart.org/amy-gerstler-and-ariana-reines

Image credit: Ariana Reines.

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ANIMAL SHELTER

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The fifth and final issue of ANIMAL SHELTER—edited by Hedi El Kholti, Chris Kraus, and Janique Vigier—includes a story by Colm Tóibín, poems by Ariana Reines, and essays by Bruce Hainley (on Hervé Guibert), Masha Tupitsyn (on Ingmar Bergman), Jean-Louis Schefer (on Hitchcock’s Vertigo), and Natasha Stagg (“Alone at Safeway”).

 

ANIMAL SHELTER 5, available at Stories in Echo Park, and Oooga Booga in Chinatown.

semiotextes.com/animal-shelter

storiesla.com

oogaboogastore.com

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Image credit: Animal Shelter.

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HOLY SHIT — SOLID RAIN

The new Matt Fishbeck/Holy Shit album SOLID RAIN is out on vinyl, and will be followed by a second Fishbeck release later this year. SOLID RAIN is the first musical release from Semiotext(e), and the album’s liner notes are by Ariana Reines.

“Putting out the record for us now that L.A. is rapidly changing into a gentrification nightmare is a way to acknowledge how important Matt has been to Semiotext(e) in the last 10 years. It’s kind of a missing piece in that history.” — Semiotext(e) co-editor Hedi El Kholti*

HOLY SHIT—SOLID RAIN, Semiotext(e).

semiotextes.com/shop/holy-shit-solid-rain

See “Running in the Rain: Josh Da Costa Chats with Matt Fishbeck About Solid Rain,” PARIS LA 15, (Spring 2017): 6 – 9.

*See Josie Thaddeus-Johns, “Holy Shit!,” Frieze, May 26, 2017:

frieze.com/article/holy-shit

Top: Solid Rain album cover. Photograph by Quentin Dubret.

Bottom: The first Holy Shit performance, in Los Angeles at The Echo, 2006. Left to right: Matt Fishbeck, Janet Kim, Ariel Pink. (Benjamin White not in photograph). Photographer: unknown. Image credit: Holy Shit and Frieze.

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The first Holy Shit performance at The Echo (Part Time Punks), 2006. Left to right: Matt Fishbeck, Janet Kim, Ariel Pink (not in photo: Benjamin White). Photograph: Unknown

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